Do you record voice-over in Pashto (Pukhto)?

Yes, as a standing part of the roster. Pashto (Pukhto) is spoken in southern and eastern Afghanistan and the north-west of Pakistan, and the artists are native speakers who work in the language daily rather than bilinguals reading phonetically. You hear two or three of them against your own script before you book anything.

Do you cover regional Pashto (Pukhto)?

Whichever one your audience actually speaks. The Pashto (Pukhto) problem worth knowing about: the soft Kandahari and hard Peshawari varieties pronounce the same words differently, and Dari and Urdu words appear throughout. The brief sets the variety, and the auditions you hear back are all from artists who match it, so the choice is made on recordings and not on a description.

How does casting work for Pashto (Pukhto)?

You hear two or three Pashto (Pukhto) artists read a section of your own script, not a generic demo. Age, warmth, pace and region are all set by your brief, and the artist you pick can be re-booked later so a series keeps one voice. You hear auditions against your own script and not a generic demo reel, so the decision is made on the actual words.

What is Pashto (Pukhto) voice-over usually used for?

Advertising, narration, e-learning, IVR and character work, in roughly that order. A Pashto (Pukhto) corporate read and a Pashto (Pukhto) character read are different jobs with different artists, which is why the brief is settled before casting. Most clients here are casting a voice for something that will run for months, not for a single upload.

Do I need to supply the Pashto (Pukhto) script?

Either way works. Where we translate, the Pashto (Pukhto) script is timed against your video before anyone records, so the read fits the edit instead of being squeezed into the session on the day. Translation is $0.10 per word, quoted alongside the recording, and the timed script comes back for your approval first.

What does Pashto (Pukhto) voice-over cost?

Voice-over is quoted per job, from the script you send. A voice-over quote has two parts, the recording and the usage, and both are itemised before you book. Pashto (Pukhto) is requested often enough that several artists can be auditioned against your script rather than one offered. Nothing starts before you approve that figure in writing, and the invoice matches it exactly.

How quickly is Pashto (Pukhto) voice-over delivered?

Rush delivery within 2 to 24 hours is available, and the delivery time is confirmed in writing before you pay. A Pashto (Pukhto) booking covers casting, recording and editing, and the date you are given accounts for all three. Casting happens before recording, so the date you are given includes the audition round and does not assume the first voice fits. If a deadline cannot be met you are told at quoting stage, not on the day.

How do I know the recording is right?

Work is done by human voice artists and listened back against the script before it is sent, which is how the 99+% accuracy standard is met. Names, places and loanwords in a Pashto (Pukhto) script are checked for pronunciation with the artist before the session starts. Names, numbers and technical terms are checked for pronunciation before the session, not fixed afterwards. One person working alone would not catch a mispronounced name or a read that will not fit the edit.

Is my material kept confidential?

Only the people doing the work can open your material, and all of them are under NDA. Pashto (Pukhto) scripts often belong to campaigns that have not launched, so they go no further than the artist and the engineer. Scripts for unreleased campaigns arrive constantly, so they go to the cast artist and the engineer and nobody else. Transfer is encrypted in both directions, and deletion on an agreed schedule can be set up where your records require it.

What formats do you deliver?

In the specification your project runs on, whether that is a video edit, an e-learning module or a phone system. The Pashto (Pukhto) audio is delivered in your project specification, with split files per section where an editor needs them. Audio is delivered at the sample rate and file type your project runs on, edited clean and ready to drop in. WAV or MP3, edited clean, with split files where your editor needs them.

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