Expert Voiceover Talent

Voice-over talent is the pool of voices a project can draw on, and the filters that narrow it to a workable few. The work goes to voice artists who do this particular job every day, not to a general pool, and each file is checked against the source by a second reviewer before it is sent. This site is built around voices cast against your brief and recorded to your audio specification.

A shortlist is more useful than a catalogue, so three or four voices are sent rather than fifty. That is settled before work begins and not discovered afterwards, so the first delivery is the one you can use. You hear auditions against your own script and not a generic demo reel, so the decision is made on the actual words.

Three steps: send the material, approve the quote, receive the finished work by email. Nothing starts before you approve the price, and revisions are free for 30 days after delivery. Send the voice-over talent script as text rather than a scan, because the artist marks it up for pronunciation and pace before the session.

Voices are filtered by language, accent, age and style before anyone listens, which saves hours of sampling. Nothing there is an upgrade, and work that falls outside the agreed voice-over talent brief is priced separately and only once you have agreed to it. Split files per section, alternate takes and a raw unedited version can all come out of the same session.

Yes. Voice-over talent is available in 100+ languages, with every file going to a native speaker of the target language and a reviewer who also reads it. A script that runs to time in English rarely does in another language, so it is adapted before recording, not after. Where a language is rare, availability is checked before the quote.

Voice-over is quoted per job, from the script you send. What moves the figure is how long the script runs, the language, and where and for how long the audio will be used, so the quote is built from your actual files and not from a rate card. A voice-over quote has two parts, the recording and the usage, and both are itemised before you book. Voice-over talent is quoted per job rather than on a published unit rate, because the cost follows what you need done. You get an exact total in writing before anything starts.

Rush delivery within 2 to 24 hours is available, and the delivery time is confirmed in writing before you pay. Casting happens before recording, so the date you are given includes the audition round and does not assume the first voice fits. Voice-over talent is scheduled against the people who actually do this work, not against a general pool. If a deadline cannot be met you are told at quoting stage, not on the day.

The 99+% accuracy standard applies to every file, and it holds because each recording is produced by a person and then listened back against the script by a second reviewer. What gets checked on voice-over talent is whether the read matches the script and the brief - pace, emphasis and pronunciation - not merely whether the words are all there. Anything genuinely unclear is flagged for you, never guessed at.

Access is the control that matters, so it is kept to the assigned pair and nobody else. Scripts for unreleased campaigns arrive constantly, so they go to the cast artist and the engineer and nobody else. Voice-over talent often involves material people would not want circulated, so the file is closed to everyone except the pair working on it. Transfer is encrypted, every person involved is under NDA, and files are deleted on request once you no longer need them held.

Broadcast-quality WAV or MP3, edited clean, with breaths and fluffs removed, plus split files per section where an editor needs them. The audio specification for voice-over talent is agreed at order stage, so the files drop straight into your edit. Audio is delivered at the sample rate and file type your project runs on, edited clean and ready to drop in.